Save the date for June 30th for the Reception of The One Little “Island” Artist Collective @ Square Barrels!

Edina Fulop NBFE artwork, Edina Fulop NBFE event, Edina Fulop NBFE featured news

I would like to cordially invite you to a group exhibition I am participating in with The One Little “Island” Artist Collective at Square Barrels. The originally Michigan-based group grew when members moved to Hawaii, still some members currently living on the Mainland or soon-to-be-off-the-island are to be represented at this show also.

My good friend fiber and metalsmith artist Deanna Gabiga introduced me to this colorful, young creative group of people who work in a wide range of media. Deanna—whose work is especially of a truly exceptional kind that is definitely worth getting to know and see in person—and I have a lot in common concerning our interest in different cultures and how our lifepaths brought us to very interesting places of the world. I got to know her as a very talented, driven and clever woman. We have our regular sessions where we consult with each other concerning art, Hawaii and share our experiences and opinions.

I am thankful that on one of our meetings she invited me to exhibit with this group to show a series of my smaller pieces I created during my Artist Residency at University of Hawaii at Manoa during the past academic year. As far as my work, this show in the downtown area of Honolulu can be considered as a little sneak peek of the body of work that will be shown at another two-person show I will soon announce.

 

 

———- 000 ———-

The One Little “Island” Artist Collective presents:

“Until We Meet Again”

The What: an art exhibition featuring ten artists based in
Hawaii and continental US.

The Where: Square Barrels in downtown Honolulu, Hawaii
1001 Bishop Street in Bishop Square.
The When: opening reception on June 30th, 5pm-9pm,
with exhibition running through July 14th.

Starring:

Kelly Pearcy
Kyle Capacia
Jessica Lynn Fowler
Edina Fülöp
Deanna Gabiga
Danielle Halford
Brandi Hardy
Kaceylin Prinea-Chargualaf
Anna Szafranski
Chloe Tomomi

…be there, or be square (pun definitely intended).

———- 000 ———-

For more info see the public facebook event.

https://www.instagram.com/p/BG7_nbQEdmf/

The gigantic Tree of Life, the Baobab

Edina Fulop NBFE UHM Plant Project

Baobab aka dead-rat tree, monkey-bread tree, upside-down tree / Adansonia digitata, Plant ID: uhm. 0042

This particular tree is listed as exceptional tree on the UH plantmap and it is exceptional indeed. 🙂

As the different names suggest, ‘the baobab tree is steeped in a wealth of mystique, legend and superstition’. [1] ‘Baobab is capable of providing shelter, clothing, food, and water for human inhabitants and animals of the African Savannah regions. The cork-like bark or huge stem is fire resistant and is used for making cloth and rope. The leaves are used as condiments and medicines. The Baobab fruit, sometimes called ‘monkey bread’, rich in vitamin C and eaten by African locals.’ [1] [7]

The trunk of this giant, native to Africa, ‘tends to be bottle-shaped and can reach  an impressive diameter of 10-14 m and the tree can reach a height of 25 m, the height of a 5 story building.’ [3] Meaning the examples below may be even huge for this species, still the smallest one is enormous too. 🙂

The captions for the pictures in the album below describe a lot more interesting, visually more easily comprehensible info of the plant and after some scrolling you may read a little about my work method also.


Let me also show you a little fun intro video on the 6000-year-old (no mistake with number of zeros!) largest baobab ever, located in South Africa, which also has some specialty worth discovering! 😉 [5]

As for the way I approached this gigantic tree…

I first made a piece using a structural way of thinking where I could show the scale of the tree and the Art Building behind it. (For UH people this piece of info I found online might be interesting: ‘[this particular] tree was there first, and in fact is the oldest tree on campus. Before the art building, this tree shaded Gilmore Hall, built in 1935 and demolished in 1973.’ Though knowing the time it usually takes a baobab to grow so huge what happened in the past century just seems like an unnecessary detail. 🙂 Also how interesting it is to think about how small we are not just literally, (see featured photo above for scale), but figuratively speaking also comparing us to a wise, old tree like that…  [6]) Back to the paintings… I actually used white wallpaint mixed with sumi ink there, which combined the characteristics of the two by being thick and having the ability to cover, also the shade of grey I was looking for. I went out to do some sketches that day with my 9.5 by 10.7 inch-big little cardboards and I just felt there is no way of showing the power of this plant in its full value by making a composition of the full tree on this small piece. This is why I used two different cut-outs on the two paintings I made. One focusing on the crown and one on the trunk. So this occasion was about working in situ. The second one is more sophisticated, aiming to give an impression of the foliage. I used similar technique on another piece also of another tree in the Downtown of Honolulu, that I had done previously.

As it is becoming clearer to me as the time goes by I am unconsciously looking for the circumstances appearing in the late afternoon hours, so the latter baobab version was also done in the same session before sunset. This also means I worked quickly, which is kind of typical for me, with exceptions of course. Still I would say the dynamic fashion of work describes my method quite precisely even if I work on a bigger piece, for a longer time.

Still I feel I will have to revisit the subject matter. 🙂

I hope you like the rich character of this tree.

 

[1] Hankey, Andrew (February 2004). “Adansonia digitata A L.”. plantzafrica

[2] https://en.wikipedia.org/wiki/Pachycaul, Hungarian version of the Wikipedia article with slightly different content

[3] “Baobab (Adansonia digitata) – Information on Baobab – Encyclopedia of Life”. Encyclopedia of Life. Marie Anne Rolufs, Oregon State University, last download March 4, 2016

[4] Photo of a baobab and the Edina Fulop at Foster Botanical Garden in Honolulu taken by author of cserelatogatohawaiion.blogspot.com, researcher and husband Sandor Gobi, last download Feb 17, 2016 from http://cserelatogatohawaiion.blogspot.com/2016/01/foster-botanikus-kert.html

[5] http://adventureswithben.com/landmarks/giant-baobab-tree/, direct link to video uploaded to youtube, last download March 4, 2016

[6] http://www.edohawaii.com/baobab/uh.html, last download March 4, 2016

[7] http://www.powbab.com/pages/baobab-tree, last download March 4, 2016

[8] http://plantpono.org, last download March 4, 2016

[9] http://www.botany.hawaii.edu, last download March 4, 2016

Breaking News: Residency extended!

Edina Fulop NBFE featured news

I am unbelievably happy I can announce my Artist Residency at University of Hawaii at Manoa being extended until the very end of May which turns my stay here into a roughly 8 month-long paradise in a professional sense. 🙂

This means I can use this fabulous opportunity to continue my own research as an artist, use my studio (#204, Art Building), get to know these talented Honolulu-based artists (whose artistic work and activity as professors, lecturers are both deeply inspiring) and widen my pedagogical experiences by having classes over my studio.

It would all not be possible without the help and support of the Art Department, primarily conceptual artist and head of the department Gaye Chan! I would like to thank also the faculty for being so open, cooperative and supportive!

My studio occupancy started on Oct 5 2015 and, according to the latest notification I received, lasts until May 31, 2016.

 

on masonite

The Friendly Monkeypods

Edina Fulop NBFE UHM Plant Project

Last update January 31, 2016

The description of the UHM Plant Project can be found under Plant Project Formulating. Each post will discuss one species showing a gallery about the particular tree or trees who served as the models for my artwork. Other photos and the art reproductions are to be presented with descriptive captions aiming to help get to know the personality of these creatures and tell a little bit about my artistic approach to them.

Let me introduce you to the gorgeous couple of uhm. 2371 & uhm. 2370!

intro-plantmap

UHM Plantmap, showing the location of my studio also pointing at the monkeypod which is the right one on the artworks I made

 Art & process

 

This first gallery of pictures show one particular couple of monkeypods on UH at Manoa. On each of these pictures the ones on the left can be identified by Plant ID: uhm. 2371, the one on the right, by Plant ID: uhm. 2370, which pieces of information also suggests that I was looking to the West when taking these photos, wandering around, trying to catch the greatest moment of sunset.

In this case, I was not sitting there making neither the painting nor the charcoal drawing (as that is also part of my process other times), but took photos for a few days around the same time. I used several different settings for the camera of my phone, and recorded voice notes to myself about how I imagine the future artworks representing them (giving myself instructions to pay attention to some specific details concerning colors, shapes and how these interact / how these two lovely trees interact with each other, what kind of illusion they give).

So having all these footage, each piece of it showing a particular aspect (a detail, a contrast of tones, a color set) of these trees, helped me create my interpretation in which I needed to make the charcoal first. Actually at the time, I felt like I need to loosen up a little bit in my expression, and so this pre-existing intention shows on this drawing above.

As for the painting, after a little time has passed, now I would say, it also must have had a slight influence on me that I found the books Wassily Kandinsky: Life and Work by Will Grohmann and Frank Kupka; pioneer of abstract art by Ludmila Vachtová. Around the same time the NEW NEW YORK: ABSTRACT PAINTING IN THE 21ST CENTURY has just been opened in the UH Art Gallery. The show itself and talks related to the exhibition discussed the variety of abstract paintings, and how it is obviously not a matter of a right or wrong path, to work on abstract or figurative artworks; also questioning if these are relevant terms in our post-postmodern world today anyhow. These thoughts were running through my head at the time.

 

Character of the ‘Ōhai (tree) / Monkeypod

a.k.a. Rain tree / Albizia saman

In this second gallery pictures of this tree type may be found, and visual info in order to get to know them.

Fun to know about this tree:

“The Rain Tree (…) is a large ornamental tree which can reach a height of 25 meters and a diameter of 40 meters (…). It has a thin, symmetrical, spreading crown which is beautiful in any park or garden setting (…) or as a pot plant (…).

The tree does cast shade (…), but rain can fall through its leaves on the area beneath the crown. This allows grass and other plants to grow up to its trunk (…) and makes for better landscapes. In contrast other trees often prevent rain from reaching the ground beneath their crowns and the result is unsightly bare soil.”

(Snippet of the introduction of the rain tree written by Professor Joseph Arditti and Mr.Mak Chin On)

For interesting info on the beautiful structure of the monkey pods, I checked out this description of the Maui Woodworker’s Guild.

— o —

Thank you, Roxanne Adams and David Strauch for the support, for your fabulous work at BGM in general and for your the cooperation! I would like to encourage everyone to comment below to improve the post and help me be accurate on the information I provide!

— o —

Sources listed as hyperlinks in the text and captions. A Plant Vocabulary is listed in a frequently updated post containing words which I needed when reading more detailed descriptions of these trees.

 

Plant Project Formulating

Edina Fulop NBFE artwork, Edina Fulop NBFE UHM Plant Project

Last update on Friday, 22 January 2016

When getting in a new environment, as an artist, I immediately look for motives; practically a source from where I can get inspiration on a quite regular basis. Moving to Honolulu gave me the chance to explore the plant life of Oahu. Being an artist-in-residence at University of Hawaii at Manoa, I was introduced to the Buildings and Grounds Management – Campus Landscape and since I got to know that the so-called ‘plant people’ (who work for BGM) are one of the nicest, some kind of a cooperation is being formulated.

For this reason I am about to sort my artwork from the point of view of the particular individual plants who I make the portraits of. I plan to associate the exact tree with my work by the plant ID number that is used on the plantmap.

Soon new posts are to be published including photos with info about my models. 🙂

Thank you, Roxanne Adams and David Strauch for the support!